‘Dear Evan Hansen’ Opens with disguise Powering Scenic Video Projections Live by Thomas Richard - January 14, 2020 The Tony Award-winning Best Musical ‘Dear Evan Hansen’ opened in London at the Noel Coward Theatre with video projection comprising the shows entire stage scenery. Supplied by Stage Sound Services, three disguise vx 4 and four gx 1 servers powered projections for the show, highlighting the huge impact of social media
Point Source Microphones Capture the Sounds of Cirque du Soleil Live by Thomas Richard - January 10, 2020 Cirque de Soleil’s latest production, R.U.N, which opened November 14 at the Luxor in Las Vegas, continues to flip theatre expectations with a little help from Point Source Audio microphones. A live-action graphic novel out to thrill, R.U.N delivers “back-alley fistfights, bike jumps, car chases, high falls, and body burns,” the
MDG goes under the sea for The Little Mermaid Live by Thomas Richard - November 21, 2019November 21, 2019 Helsinki City Theatre is putting on the Disney magic this season with its lavish musical production of Hans Christian Andersen’s The Little Mermaid. The theatre’s annual musical production is always a major part of its programme: The Little Mermaid plays in repertoire in the 950-seat main theatre for over 120
GLP Fixtures at The Grand Ole Opry Install by Thomas Richard - October 20, 2019 This summer, Nashville’s legendary Grand Ole Opry unveiled a new daytime backstage tour based around the new, purpose-built Circle Room theatre. Hosted by Opry members Garth Brooks and Trisha Yearwood, a 14-minute long immersive media experience takes fans on a journey through nearly 100 years of Opry history, seen through
ClayPaky Supports Aerosmith’s Las Vegas Residency Live by Thomas Richard - September 21, 2019 Aerosmith has launched its “Deuces Are Wild” residency at the Park Theater at MGM in Las Vegas with a multi-sensory experience that’s playing to sold-out houses. The show features Claypaky Mythos 2 and Sharpy Wash lighting fixtures provided by PRG. The band, which has sold more than 150 million albums worldwide,
L-Acoustics L-ISA Has Broadway Bounty Hunter Surrounded! Live by Thomas Richard - September 21, 2019 L-ISA Sound technology by L-Acoustics made its North American musical theater debut in Broadway Bounty Hunter After being heard by over six million spectators at more than 1,500 live music performances around the world, L-ISA Sound technology by L-Acoustics recently made its North American musical theater debut in Broadway Bounty Hunter,
GLP X4 Bar 20s Lead the Way for Evita Live by Thomas Richard - September 20, 2019September 20, 2019 One of the accepted technical challenges of London’s outdoor theatre season are the major productions at Regent’s Park Open Air Theatre, which run right through the summer. Working within the existing stage infrastructure, theatre lighting specialist Jon Clark helped interpret director Jamie Lloyd’s stripped back production of Evita, juxtaposing GLP’s new
KV2 Audio takes audiences to the moon and back with APOLLO 11 Live by Thomas Richard - September 20, 2019 As the world celebrates the 50th anniversary of the moon landing in 1969, a new play endeavours to recreate the thrill of this historic event with a unique, immersive theatrical experience. APOLLO 11 tells the story of the 400,000 men and women who worked to accomplish this extraordinary mission. Told through
disguise technology platform powers the new House of Dancing Water Live by Thomas Richard - September 10, 2019September 11, 2019 The House of Dancing Water is the world’s largest water-based theatre production, with the team at Franco Dragone behind the production. The show combines water, stunts, acrobatics, aerial arts and theatre. The show is performed in a tailor made 2,000 seat theatre and the performance is set across a multi-level stage
GLP Bars and Atoms Set the Mood Inside Blues in the Night’s Run-Down Hotel Live by Thomas Richard - August 21, 2019 The Olivier and Tony award nominated Blues In The Night has undergone its first revival in 30 years at London’s Kiln Theatre. Running until 7 September, and originally conceived by Sheldon Epps, Robert Jones’ hotel-based set design, steeped in Chicago 1930’s depression, is brought to life by eminent lighting designer, Neil