GLP Fixtures Assumes Form for James Blake Live by Thomas Richard - May 26, 2019 Electronic wizard and Mercury Prize winner James Blake has been touring the United States prior to returning to his native UK for theatre dates, and appearances at European festivals, starting with All Points East. On the road with him is Blake’s long-serving, and highly experienced LD, Chris Bushell, accompanied by an
Avolites Brings New Tech To An Old Soul Install by Thomas Richard - March 6, 2019 Even after this year’s Mardi Gras festivities have come and gone, Harrah’s Casino in the famous French Quarter will still be drawing in the droves to its latest dazzling spectacle: Fillmore New Orleans, Live Nation’s Crescent City take on the iconic San Francisco music hall. The newest Fillmore, whose old-fashioned theater
GBR: Eric Prydz HOLO Stuns with Holographic 3D FX Powered by Avolites Ai Live by Thomas Richard - December 19, 2018 Demigod DJ Eric Prydz’s mind blowing HOLO show returned from the future this summer, wowing EDM disciples with holographic technology and magical 3D FX. It was the latest development in a long line of Prydz performances which take media server processing and power to the limits of possibility – and
INTL: Placebo Rock Out at Festival Shows with Avolites Arena Live by Thomas Richard - September 11, 2018 Placebo's epic new show is touring European festivals with a revamped rock 'n' roll lighting design by Will Kinnaird, who's armed with an Avolites Arena running Titan V11. Kinnaird has pimped Placebo's lighting for festival season, with recent shows having been more video-based. "My lighting brief was 'big rock 'n' roll', so
GBR: Avolites Ai v10.1 Powers ‘Psychedelic Visuals’ For Paramore Live by Thomas Richard - February 28, 2018 US rock band Paramore's current world tour is a visual dynamo. Featuring a complex array of projection mapped video screens, the production displays high impact psychedelic visuals powered by the expert technology of Avolites' EX8 Ai Infinity Server and Ai v10.1 software. Production Designer Butch Allen devised the show's complex video
GBR: Avolites Gives The Magic Tiger Touch To Cinderella Live by Thomas Richard - February 5, 2018 Oh no they didn't! Oh yes they did! The lighting team at The Grand Theatre Blackpool recently used an Avolites Tiger Touch II console to control the magical light show for the historic theatre house's star-studded Christmas pantomime performance of fairy-tale classic, Cinderella. The show marked the 21st anniversary of production
DOM: Avolites Ai R8 Servers’ Versatility & Speed Power Epic Video Content At The Festival Presidente Live by Thomas Richard - February 5, 2018 More than 50,000 fans packed the Dominican Republic's Olympic Stadium in November to experience The Festival Presidente, the Caribbean's largest international music festival. On the festival's opening night, Latin music star Gabriel performed in front of epic LED screens displaying florid, fast-paced graphics, powered by Avolites' Ai R8 media servers. Yamil
MAR: Avolites Adds The Tiger Touch To Oasis Festival 2017 Live by Thomas Richard - January 15, 2018January 15, 2018 Lighting designer Chris Binks selected an Avolites Tiger Touch II and Tiger Touch Fader Wing to facilitate his authentic live control and design approach for the third edition of Oasis Festival, an electronic dance festival held at The Source Marrakech Private Resort Music & Spa in Morocco. Chris, whose design method
AUS: Avolites Ai RX8 Media Server Powers Visuals At Creative Generation 2017 Event Live by Thomas Richard - September 11, 2017September 11, 2017 IKONIX recently supplied an Avolites Ai RX8 media server and two Avolites Miami Dongles, to run 960 gigabytes of content for Queensland's largest youth performing arts event, Creative Generation (CGEN) - State Schools on Stage 2017. The event, now in its 13th year, was held at the Brisbane Convention and Exhibition
UK: Bow Down To The Temple Of Avolites Ai Install by Thomas Richard - July 25, 2017 Two Avolites Ai R6 media servers and an Arena lighting console running the latest Ai and Titan software were chosen to control the high-energy light and video package for the design relaunch of Glastonbury's iconic dance stage, The Temple. The British media server and lighting controls manufacturer was called in for